THOM BOULTON
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Apocalypse

27/7/2022

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Apocalypse
from Gebo, 2021
 
Drawn curtains
fasten their threads together
never to open again
 
the pattern does not complete
if not aligned
 
each chink or fold leaning into the other
 
Sun’s eyes flutter
to brighten the roads
  better than a lick of paint
  better than licking a battery
these jolts will restart the traffic
if only they can navigate 
the pot holes and speed bumps
via alternate routes
 
This must be what summer feels like
 
And great star, named and unnamed
capturing gaze
yet the cornea do not burn
like they told every froglet
instilled in the pond
 
distilled in the factories
 
live it — eat it — pray it — believe it
(you better not believe it)
 
this scorching sun
sitting in the sky’s thoughts
staring down, near enough
to give life to a clump of rock
 
this sun, inventing time
by parking its arse-cheeks
on the ground
split pantyhose
generate a shadow
around revealed flesh
 
Seasons of comfort are in session
 
Goldilocks declares
on the street corners of
The Republic of Poetry — how
it is just right
The shy trees are no more — they
yell jokes from a cannibalistic book
made of their skin
each punchline lands an honest mark
on the face
 
Somewhere, a statue of a lion whimpers
with its thorn-laced paw
soothed by the tender talons
of a bird of prey — pluck the stick
fuck the splinters
pluck the crone from the maiden’s head
as winds
tighten, and tease your throat
 
Twin bridges
slumped on the River Tamar
filled with silent excuses
to bolt their cables 
into a patch of concrete
suspend disbelief
that the inanimate can pass for being human
tread with caution
for a high volume of gendered vehicles
pass this way
 
hands from the river
claw onto the bank
with Mother Tenacity’s affirming grip
 
the body of Babylon
scooped up in a length of ribbon
dried in a bath towel
kissed on the forehead and sung to sleep
 
‘my bonny lies over a notion…’
 
where fresh bed sheets
touch static against spines
a taste of seasonal freedom
cruel as the taste of Midsummer Day’s goodnight
 
sleep tight, for now until the turning
 
Distant suns
replace the glow of proximity
blinking messages through the blackness
into Morpheus’s shorthand
typed into dark wanderings
which countdown
to a wake that breaks the mourning
 
seductive dreams coloured in crayon
until heat melts the wax
sends a hard vibration
through mortal pages
punctuated by prophecy — the end of all days
 
sat apart
blurry are the smiles
this is the mask
that hides the face
of the spectre of things to be sung
 
O GREAT REVELATION!
John the Apostle
John the Beatle
Yer Blues blasts loud into the ear
 
a meeting is scheduled
in the living rooms 
of each depredated domicile
dissemination
will dictate the insemination of The Saviour
or the dragon that fell from a city in the clouds
 
and then silence
 



And then more silence








The voiceless assemble
in under an hour — rapid response
this is it folks
the moment
 
THE END OF ALL DAYS HAS COME!
 
Bled realities flatline — leylines narrow
every channel dried-up and void
 
The freaks shall inherit the Sun
 
Demand it ends its exercise routine
 no-more will it rise to offer high-fives 
 to drifting angelic forms
 no-more will it be eaten by the groves 
 in their grooves as they spin
 
The Sun pricks its finger
and sleeps one thousand years
cries a thousand more tears 
which
evaporate every millisecond
on the burning surface of corruption
 
Floods eventually consume soils
a sphere sits on the shoulder of a giant
as it trudges through 
fresh formed swamps
 
the pebble stones of the pavement
beat
with a time-signature of 4/4
with lots of ghost notes scattered
 
Hovering on the edge of their seats
the gods look down
chortle and choke
 
it is hard to swallow
 
what remains is a wasteland

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
And the only hope of ascension
lies in the footnotes of an unwritten poem
 
a poem worth dying for.
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    POAETREE

    Here you can find published and unpublished and never before published and publishy poetry from Thom Boulton, from his collections Prima Materia (2018) and Gebo (2021) as well as his online only collection I Have Eaten The Dead For Breakfast (2022)

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    Do You Look At The Moon...?
    Fleeting
    Gebo (2021)
    I Am Why Your Ghost No Longer Speaks
    I Have Eaten The Dead (2022)
    I Have Eaten The Dead For Breakfast
    Looking For Jeremy Corbyn
    Naked
    No Coyote
    PrimaMateria (2018)
    Three-Rivers (Plymouth)

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  • The Poet
    • Poaetree
    • Bewks
    • The Mandy Moore Band Club
    • Preezentin
    • Contakt
  • The Photographer
    • 2023 >
      • Filth @ The Underground
    • 2022 >
      • Passion Project
      • Plymouth Market Carnival 22
      • Through Rainbow Tinted Lenses
      • Gin City Anthology Launch
      • Love Letters to an Imaginary Girlfriend book launch
      • Poetry at the PPL